RIVER pulls focus to the flowing water around the world
by Daniel Pecoraro, Contributor
Director and co-writer Jennifer Peedom takes the viewer on a look at rivers from glaciers to ravines to seas to storms.
by Daniel Pecoraro, Contributor
Director and co-writer Jennifer Peedom takes the viewer on a look at rivers from glaciers to ravines to seas to storms.
Directed by Jennifer Peedom (2017)
by Sandy DeVito
Jennifer Peedom's body of work, thus far, has been obsessed with the natural world, specifically humankind's relationship and obsession with that which is indifferent to us. This tradition is continued in Mountain, an experience deeply rooted in the idea of the grandly cinematic being innately tied to the realistic spectrum in the mind of human artistry. As a meditative poem on humanity's desire for the existential, Peedom's film of Robert Macfarlane's verdant prose read by Willem Dafoe's wise, gravelly intonation (a voice he's had since he was in his late twenties, as anyone who is familiar with his filmography knows) invokes the wonder of our tininess, our arrogance, and our fragility in the face of these monuments to the giant wheel of time.
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