BETWEEN TWO WORLDS works on the personal level, but avoids deeper issues
by Gary M. Kramer, Staff Writer
Between Two Worlds is very much about the work, but it is also about the workers.
by Gary M. Kramer, Staff Writer
Between Two Worlds is very much about the work, but it is also about the workers.
by Gary M. Kramer, Staff Writer
The HollyShorts Film Festival, August 10-20 in Los Angeles, showcases dozens of short films in various programs. Here is a rundown of a half dozen strong selections from this year’s fest.
by Gary M. Kramer, Staff Writer
Scott Pilgrim likely didn’t connect with audiences because it was a mashup of too many genres. But this is precisely why the film is so great.
by Gary M. Kramer, Staff Writer
Final Cut is a mess, but it charms in its last act which creates a strong sense of community amid all of the chaos, actor tantrums, spilled bodily fluids, and copious fake blood.
by Gary M. Kramer, Staff Writer
Peter Greenaway’s breakout arthouse hit, The Draughtsman’s Contract (1982) is bold film—an intriguing murder mystery, a cheeky satire on English class, and a naughty sex romp—rendered in such a rigorous way that it requires steadfast attention.
by Gary M. Kramer, Staff Writer
The Tribeca Film Festival featured the U.S. or World Premiere of several features and documentaries from around the globe that tackle social issues. While some were better than others, here are four notable films screening in this year’s program.
by Gary M. Kramer, Staff Writer
The Tribeca Film Festival has a dozen animated, documentary, and live-action shorts programs this year, offering something for everyone.
by Gary M. Kramer, Staff Writer
The B-movie Mercy, about an escalating hostage situation that unfolds in a hospital, contains plenty of fights, gun violence, and explosions, but it is hardly edge-of-your-seat stuff.
by Gary M. Kramer, Staff Writer
Veteran Guatemalan actor Juan Pablo Olyslager (Temblores, La Llorona) makes a strong impression in his pivotal role. The actor chatted with MovieJawn about making Cadejo Blanco.
by Gary M. Kramer, Staff Writer
Each month, MovieJawn will be highlighting the work of one star or director, focusing on what makes them unique in the Hollywood (or worldwide) firmament! First up is Jack Nicholson for his birthday month!
by Gary M. Kramer, Staff Writer
Smoking Causing Coughing is the latest bit of whimsy by writer/director Quentin Dupieux. His films, Rubber, Wrong, Keep an Eye Out, Deerskin, and Mandibles, among them, are delightfully absurdist and deadpan.
by Gary M. Kramer, Staff Writer
Here is a rundown of what should win, what will win, and the also-rans in the Best Live Action, Animated, and Documentary Short Film categories.
by Gary M. Kramer, Staff Writer
War is hell, and so is Ambush, an efficient yet unremarkable action film set in 1966 Vietnam.
by Gary M. Kramer, Staff Writer
Like the original film, Stars Fell Again is aggressively wholesome, which would be admirable if the film wasn’t so bland.
by Gary M. Kramer, Staff Writer
This lackluster B-movie telegraphs its mediocrity from the opening moments
by Gary M. Kramer
Short films often depict a moment of crisis, a slice of life, or serve as calling cards for a larger feature.
by Gary M. Kramer
Six films that had their world premiere at the Sundance Film Festival this year took viewers on journeys both intimate and universal.
by Gary M. Kramer, Staff Writer
What I enjoy most about attending the Sundance film festival is seeing films that are seeking distribution, because one can make the most exciting discoveries.
by Gary M. Kramer, Staff Writer
With Plane, cynics might think that Butler is making yet another third-tier movie to keep his flailing film career aloft. But don’t discount this exciting thriller…
by Gary M. Kramer, Staff Writer
Movies have long portrayed sex workers as characters who range from “disposable” victims to “hookers with hearts of gold.” But what messages are films like Pretty Baby (1978) and Pretty Woman (1990) providing viewers about “the oldest profession?