Best of 2024: Gary Kramer's Top 10
by Gary M. Kramer, Staff Writer
Here, in alphabetical order, are my personal favorite films of 2024.
by Gary M. Kramer, Staff Writer
Here, in alphabetical order, are my personal favorite films of 2024.
by Megan Bailey, Staff Writer
It’s been a big year for fake pop stars. From romance to horror, they’ve sung their hearts out on stage, fallen in love, and maybe even tried to help catch a serial killer.
by Tori Potenza, Staff Writer
It was a challenge not trying to talk her ear off but she was incredibly generous with her time and provided plenty of thoughtful responses that I am sure fans of her work will love.
by Emily Maesar, Associate TV Editor
While Jonathan Anderson captures the time periods with perfect precision, he’s also masterful at allowing the characters to speak for themselves with their clothing over the course of the most important 13 years of their lives.
by Rosalie Kicks, Editor in Chief and Old Sport
This year, with my Christmas spirit being unexpectedly high, I have a feeling that after witnessing the magic of McGinnis and Guarino, I might be pushed into full blown Christmas creature mode.
by Kevin Murphy, Staff Writer
Here are some of those films that stuck out to me–dramatic powerhouses, refreshingly hopeful stories, or whimsical delights.
by Shayna Davis, Staff Writer
My 25th birthday was actually one of the best birthday’s I’ve had in a long time and it kicked off with a screening of Robert Altman’s 3 Women starring Janice Rule, Sissy Spacek, and personal role model of mine, Shelley Duvall.
by Sam Christian, Staff Writer
I did not get out to the movies as much as I would have liked to this year, so instead of providing a top list of new movies, I’m going to be sharing my favorite new watches for me this year.
by Carmen Paddock, Staff Writer
Featured From Here to Eternity, Suddenly Last Summer, Conversation Piece, Black Narcissus, Senso, Margaret, In Harm’s Way
by Kate Beach, Staff Writer
Julio Torres has already made his mark as a singular voice in film and television, and Problemista is an ambitious, exciting first feature.
by Emily Maesar, Associate Editor, TVJawn
There’s a specific kind of film that almost always works for me, when made with pure joy of the thing, and that’s the “weird and sad girls” genre.
by Avery Coffey, Staff Writer
Think Aquamarine (2006) going toe to toe with Ginger Snaps (2000) while Thirteen (2003) referees. It’s a beautiful depiction of teenage girlhood while giving us some of the most grotesque visuals.
by Jill Vranken, Staff Writer
Fréwaka a spine-chilling Irish folk horror with two stunning central performances at its core.
by Ryan Silberstein, Managing Editor, Red Herring
While, officially, whistleblowers have a protected status, The Insider shows how this is undermined by confidentiality agreements, lawsuits, and corporate misdeeds.
by Fiona Underhill, Staff Writer
In 1999’s modern, South London-set Wonderland, Winterbottom assembled some of the best of British acting talent of the time, a strong ensemble of mostly working class actors, which we unfortunately rarely see in the British cinema of today.
by Allie Lembo, Staff Writer
If you’ve never seen Fight Club, I’ll be spoiling the twist for you. For everybody else, it’s time to observe the legacy of Brad Pitt’s abs.
by Avery Coffee, Staff Writer
Independent films take their creative liberties to address subjects that mainstream media shy away from. Babbitt knew that young people were going to love it.
by Carmen Paddock, Staff Writer
The 1990s was perhaps the greatest decade for populist, almost blockbuster Shakespeare on screen.
by Fiona Underhill, Staff Writer
The second-best period drama release of 1999 was a film very rarely ever discussed today–Neil Jordan’s Graham Greene adaptation The End of the Affair.
by Kate Beach, Staff Writer
Looking back on two films that contributed heavily to one of my favorite subgenres: wild nights in New York City. Buckle up, let’s talk about Martin Scorsese’s Bringing Out the Dead and Stanley Kubrick’s Eyes Wide Shut.