ALIEN: ROMULUS feels like ALIEN: THE RIDE
by Ryan Silberstein, Managing Editor, Red Herring
Alien: Romulus feels like it was engineered in a lab from the parts of the previous Alien films, but it is a relentless thrill machine.
by Ryan Silberstein, Managing Editor, Red Herring
Alien: Romulus feels like it was engineered in a lab from the parts of the previous Alien films, but it is a relentless thrill machine.
by Ryan Silberstein, Managing Editor, Red Herring
Everything in Mad Max: Fury Road is a symphony, and the action sings its part with resounding clarity.
by Ryan Silberstein, Managing Editor, Red Herring
Deadpool and Wolverine is a eulogy for the non-MCU Marvel movies, mostly from the era at Fox that made the X-Men franchise, Daredevil, and three Fantastic Four movies.
by Ryan Silberstein, Managing Editor, Red Herring
Twisters places its characters in classic disaster situations, where awe of nature’s power is quickly replaced by terror.
by Ryan Silberstein, Managing Editor, Red Herring
Each action sequence tells its own story, with rise, fall, and climax giving a sense of progression while also being extremely thrilling.
by Ryan Silberstein, Managing Editor, Red Herring
When we talk about ranking the greatest action movies of all time, a handful of names immediately spring to mind. Tom Cruise, Arnold Schwartzeneggar, Tony Scott, among them, but definitely also Michael Bay.
by Ryan Silberstein, Managing Editor, Red Herring
A Quiet Place: Day One offers a surprising amount of depth underneath its thrills.
by Ryan Silberstein, Managing Editor, Red Herring
The Chicago Critics Film Festival ended as of last night and had a delightful and varied lineup of films. Here are some that will be worth looking out for when they release more broadly.
by Ryan Silberstein, Managing Editor, Red Herring
The Chicago Critics Film Festival is currently underway, with multiple films scheduled each day through Thursday, May 9. There are plenty of intriguing films still to come, so check out the lineup. I wanted to share some short takes on what I have seen so far!
by Ryan Silberstein, Managing Editor, Red Herring
This is my first year going, so here are some of the films I am excited to check out during the festival.
by Ryan Silberstein, Managing Editor, Red Herring
In Luca Guadagnino’s latest film, Challengers, tennis becomes a malleable metaphor for the way we try to externalize our internal desires and the distance between ourselves and the people we feel closest to.
by Ryan Silberstein, Managing Editor, Red Herring
The filmmakers clearly have a lot of affection for the classic monster movies and understand what made them scary to audiences almost a century ago.
by Ryan Silberstein, Managing Editor, Red Herring
Ideal for those who really want to dig into this landmark film, From the Moment They Met It Was Murder provides many avenues to do so.
by Ryan Silberstein, Managing Editor, Red Herring
If King of the Monsters is “Stairway to Heaven,” The New Empire is “Running With The Devil.”
by Ryan Silberstein, Managing Editor, Red Herring
The spice expands consciousness–I wish Denis Villeneuve had at least experimented with it before he decided to navigate the spaceways of this science fiction epic.
by Ryan Silberstein, Managing Editor, Red Herring
Io Capitano is getting deserved attention for being a nominee for Best International Feature at this year’s Oscars, and rightly so.
by Ryan Silberstein, Managing Editor
Some of the more effective “enemies to lovers” romances in cinema use the science fiction trope of the time loop to great effect.
by Ryan Silberstein, Managing Editor, Red Herring
What are the things we desire, and how do we measure that want against the pain and damage they can cause?
by Ryan Silberstein, Managing Editor, Red Herring
Trying to pick 15 films I wanted to highlight as the best of the year is an impossible task. But the important thing to remember is that you can’t wake up if you don’t fall asleep.
by Ryan Silberstein, Managing Editor, Red Herring
This is my favorite list to put together every year. I watched a ton of “new to me” movies this year, and so many of them brought me joy that it was hard to even narrow down to just 15,