BRING THEM DOWN: a toxic masculinity thriller in rural Ireland
by Emily Maesar, Associate TV Editor
Bring Them Down is an engaging thriller filled with stunning performances that will have you on the edge of your seat.
by Emily Maesar, Associate TV Editor
Bring Them Down is an engaging thriller filled with stunning performances that will have you on the edge of your seat.
by Emily Maesar, Associate TV Editor
For the release of the Collector’s Edition of the film, MovieJawn’s Associate TV Editor, Emily Maesar, sat down with the film’s editor, Alex Jacobs, to talk about what it was like making the film and what the reception has been like.
by Emily Maesar, Associate TV Editor
Eat the Night is a thrilling parable of the modern ways emotional yearning manifests with electric performances and stunning visuals.
by Emily Maesar, Associate TV Editor
Three shows after the Buffy era encapsulate where we were as a culture and their endings are significant to how things were looking in the television landscape at the time, something of great interest to me.
by Emily Maesar, Associate TV Editor
Emily shares her favorite movies of 2024.
As the year comes to a close, our staff looks at the best TV shows they watched in 2024.
Read Moreby Emily Maesar, Associate TV Editor
While Jonathan Anderson captures the time periods with perfect precision, he’s also masterful at allowing the characters to speak for themselves with their clothing over the course of the most important 13 years of their lives.
by Emily Maesar, Associate Editor, TVJawn
There’s a specific kind of film that almost always works for me, when made with pure joy of the thing, and that’s the “weird and sad girls” genre.
by Emily Maesar, Associate TV Editor
“I think it's better to have ideas. You can change an idea. Changing a belief is trickier.”
by Emily Maesar, Associate TV Editor
The new pre-teen and teen shows of the season were largely on kid-centered networks like Nickelodeon and Disney Channel.
by Emily Maesar, Associate TV Editor
If there was ever proof that adapting Vonnegut’s work is a Herculean task then it’s visible, without any abstractions, in Alan Rudolph’s 1999 fever dream of a film, Breakfast of Champions.
by Emily Maesar, Associate TV Editor
Veronica Mars represents the closing of the walls on a certain type of teen show based on networks.
by Emily Maesar, Associate Editor, TVJawn
What is Saw? Like, really? Well, it’s not actually torture porn, despite what poisonous fruits have since grown in its orchard. Instead, the original Saw is much more of a mystery.
by Emily Maesar, Associate Editor, TVJawn
A short film, five feature films, a three season television series, and an off-Broadway musical are among the ways you can encounter Deadites and the Dark Ones after reading from the Necronomicon.
by Emily Maesar, Associate Editor, TVJawn
Thus, Paranormal Activity became the 2000s major case of word-of-mouth film marketing. It opened wider and wider until it was inescapable.
by Emily Maesar, Associate TV Editor
Two of the biggest teen shows of the 2000s started on Fox and The WB with The O.C. and One Tree Hill, respectively.
As legendary television series LOST turns 20, our staff writes a bit about their relationship with the series.
Read Moreby Emily Maesar, Associate TV Editor
During the TV season of 2002-2003 there were no new teen shows.
(Record scratch)
Well, that’s actually not true—there were no new live-action teen shows
by Emily Maesar, Associate TV Editor
Which, as always, kind of proves that teen shows are sometimes ahead of the ultimate curve—if only because teens are a demographic that allows for real trial by fire.
by Emily Maesar, Associate TV Editor
Like Buffy the Vampire Slayer before it, Gilmore Girls remains both impactful because of its structure, its quick and quotable dialogue, and its utter rewatchability.