Paul Schrader’s MASTER GARDENER blooms Into optimistic majesty
by Olivia Hunter Willke, Staff Writer
There’s a particular idiosyncrasy that only Paul Schrader can manage; it isn’t cool, and it sure as shit ain’t hip.
THE CIVIL DEAD is a buddy comedy where the buddy is a ga-ga-ga-GHOST!
by Olivia Hunter Willke, Contributor
The Civil Dead truly shines when it basks in its awkwardness.
Sundance '93 Flashback: BOTTLE ROCKET
by Olivia Hunter Willke, Contributor
This week, we thought we’d celebrate 30 years since the 1993 Sundance Film Festival, considered one of the defining moments in modern indie filmmaking.
Our Digital Doom: Michael Robinson's POLYCEPHALY IN D
by Olivia Hunter Willke, Staff Writer
Polycephaly in D is a bombastic monument to humanity in a time of an extinction of our own making.
THE LONG GOODBYE exposes the classic noir–and insidious institutions–in shining sunlight
by Olivia Hunter Willke, Staff Writer
No portrayal of Philip Marlowe, before or since, has been as distinct as Gould and Altman's collaboration.
With THE BANSHEES OF INISHERIN, Martin McDonagh returns home for a civil war in microcosm
by Olivia Hunter Willke, Staff Writer
It's a film that feels between time, the lush countryside emerging from the coastal, wind-swept fog like a fantasy.
SMILE hides its cruelty behind its understanding of mental health treatment
by Olivia Hunter Willke, Staff Writer
Smile joins the ranks of recent horror films centered on trauma.