by Billie Anderson, Staff Writer
This is capital-C cinema, the kind of grand Hollywood epic that disappeared decades ago with the likes of Michael Cimino’s Heaven’s Gate and Sergio Leone’s Once Upon a Time in America.
Read Moreby Ryan Silbestein, Managing Editor, Red Herring
For all of its ambition, Blonde stumbles every time it is about to settle into a period in Norma Jeane’s life.
by Rosalie Kicks, Editor in Chief and Old Sport
Every so often a flick comes along that makes me wonder how the filmmaker slipped it by the Hollywood moguls. Was it a work of hypnosis? Maybe a possession of sorts?