Paul Newman at 100: TORN CURTAIN was an uneasy meeting of Newman and Hitchcock
by Jill Vranken, Staff Writer
Alfred Hitchcock’s fiftieth film is both a curious anomaly in Paul Newman’s career (a year later he would properly cement himself as an icon in Stuart Rosenberg’s Cool Hand Luke) and the beginning of the end for its director. But what made this pairing and its creative result such a mismatch?