TIFF 2021: PETITE MAMAN, YOU ARE NOT MY MOTHER, and COMPARTMENT NO. 6
by Ashley Jane Davis, Staff Writer
Three more reviews from this year’s Toronto Film Festival.
by Ashley Jane Davis, Staff Writer
Three more reviews from this year’s Toronto Film Festival.
by Jaime Davis, The Fixer
While this year’s fest felt a bit more subdued than in previous years, it was still filled with so many magical movie experiences.
by Ashley Jane Davis, Staff writer
Some more reviews from TIFF 2021!
by Gary M. Kramer, Staff Writer
Medusa is certainly stylish, and the young performers sink into the film’s cool, modulated rhythms, but overall of the film lacks sufficient energy and emotion to make it worthwhile.
by Gary M. Kramer, Staff Writer
Drunken Birds, which just had its World Premiere at the Toronto International Film Festival, lures viewers in with its hypnotic imagery, then it pulls them along with its absorbing story.
by Gary M. Kramer, Staff Writer
Gian Cassini’s captivating debut feature documentary, Comala, tells a micro story about his family to reveal a macro story on the Mexican drug wars.
by Gary M. Kramer, Staff Writer
Kicking Blood is oddly both toothless and bloodless.
by Gary M. Kramer, Staff Writer
The sensorial drama, To Kill the Beast, the impressive feature directorial debut of Argentine filmmaker Agustina San Martín, exacts a hypnotic pull over viewers.
by Gary M. Kramer, Staff Writer
The Odd-Job Men bills itself as a comedy, but director co-writer Neus Ballús’s film is really more like a frustration comedy.
by Ashley Jane Davis and Jaime Davis, Staff Writers
While we’re looking forward to all the buzzy titles, here are some of the other films we’re looking forward to this year.