We’ve all been given a Dark Gift in the new INTERVIEW WITH THE VAMPIRE series
by Emily Maesar, Associate Editor, TVJawn
An interview with the Associate Editor.
Captain’s Log, Entry 9: Fear in the name of righteousness, the eternal truth of STAR TREK
by Emily Maesar, Associate Editor, TVJawn
As the series finished out 1990 and started in on 1991, there shouldn’t have been any doubt that The Next Generation was going to be immortal.
Alfred Hitchcock has entered the chat in DO REVENGE
by Emily Maesar, Staff Writer
Other than the Hitchcock of it all, though, Do Revenge pays great homage to the teen films of Millennials.
Captain’s Log, Entry 8: We wish to improve ourselves—the triumphs and failings of changing creatively
by Emily Maesar, Associate Editor, TVJawn
Resistance is futile.
Chris Pine turns 42 and continues to be the best Chris
by Megan Bailey, Staff Writer & Emily Maesar, Staff Writer
It’s Chris Pine’s birthday. His 42nd birthday. His Hitchhiker’s Guide to the Galaxy “answer to the universe” birthday.
Movie: The Series - WET HOT AMERICAN SUMMER
by Emily Maesar, Associate Editor, TVJawn
Growing up, Wet Hot was one of those older sibling films—the kind that basically live in your head rent free, that get quoted all the time, and that you might not really understand until you’re older and watch it with different eyes.
Disc Dispatch: THE TRIALS OF OSCAR WILDE tells a piece of queer history in a stunning new blu-ray transfer
by Emily Maesar, Staff Writer
“A halo doesn’t have to fall very far to become a noose.”
Captain’s Log, Entry 7: Your help is not required (except when it is)
by Emily Maesar, Associate Editor, TVJawn
Thirteen days after the United States 1988 election, the second season of Star Trek: The Next Generation aired
NOT OKAY looks at what happens when you traumatize yourself
by Emily Maesar, Staff Writer
Not Okay is having a conversation about the trauma of being online, of being perceived so much that it starts to wear you down until you feel like lying is the only way to be something.
Captain’s Log, Entry 6: The USS Enterprise flies again
by Emily Maesar, Associate Editor, TVJawn
And just like that, we’re watching Star Trek again.
Reality is just a illusion and the universe is a hologram: GRAVITY FALLS turns 10
by Emily Maesar, Associate Editor, TVJawn
What starts as a fairly standard, albeit odd, episodic show about two pre-teen twins dealing with weird stuff and learning lessons over a summer without their parents, turns into a desperate attempt to save the world from forces bigger than themselves.
Happy Father’s Day to the worst ones on TV! A rundown of Bad Dad Syndrome
by Megan Bailey, Staff Writer & Emily Maesar, Associate Editor, TVJawn
You don’t have Daddy Issues; instead your father simply has Bad Dad Syndrome because he’s the one who caused all the problems in the first place.
Love, death, and the painful nature of losing friends in TAHARA
by Emily Maesar, Staff Writer
Tahara is the quiet, personal drama version of the very real type of relationship that many sapphics have with their friends.
AFTER BLUE is an erotic dream set in a dirty paradise of sapphic sci-fi
by Emily Maesar, Staff Writer
After Blue feels like the dystopian future of Mad Max, with its deeply erratic energy, but looks like Velvet Goldmine, with its queer, glittery haze.
Captain’s Log, Entry 5: An animated series, some feature films, and a new crew walk into the Ten-Forward lounge
by Emily Maesar, Associate Editor, TVJawn
Star Trek, as a franchise, exists in its current form because of syndication.
The gel layer can’t take all the impact in the season one finale of HALO
by Emily Maesar, Associate Editor, TVJawn
There’s not a lot more to be said about the first season of Halo other than that it was, unsurprisingly, a huge disappointment
How to enrage a fanbase, a nearly step-by-step guide from the HALO TV series
by Emily Maesar, Associate Editor, TVJawn
So, that was ass.
Kwan takes center stage in HALO
by Emily Maesar, Associate Editor, TVJawn
There comes a time in every television series, especially one with such a specific focus like Halo, that side characters get to be in control of their own episodes
Ani-May 2022: PARANOIA AGENT and the eternal castle of recurring dreams
by Emily Maesar, Associate Editor, TVJawn
In between his two classic anime films, Tokyo Godfathers and Paprika, the late Satoshi Kon created his only anime for television.
A nonexhaustive (but very exhausted) reflection on Bury Your Gays
by Emily Maesar, Associate Editor, TVJawn
"She was a sapphic, a homosexual, a woman who loved other women… and died for it."