Episodes 4 and 5 of INTERVIEW WITH THE VAMPIRE bring us Claudia, Louis’s editorializing, and Lestat’s rage
by Emily Maesar, Associate Editor, TVJawn
Claudia’s introduction is a magical, madness shared by us all.
by Emily Maesar, Associate Editor, TVJawn
Claudia’s introduction is a magical, madness shared by us all.
by Emily Maesar, Associate Editor, TVJawn
The major themes I want to talk about from season five, though, are the limits of medicine, the idea of gender and sexuality, and the willingness to commit war crimes and genocide—all in the progressive, utopian 24th century
by Emily Maesar, Associate Editor, TVJawn
Boy, howdy, have the Interview with the Vampire video comparisons to both the book and the 1994 movie absolutely god tier.
by Emily Maesar, Associate Editor, TVJawn
It’s also important that Interview with a Vampire is unapologetically queer, not afraid to say the specific labels, and that it’s already been renewed for a second season.
by Emily Maesar, Associate Editor, TVJawn
An interview with the Associate Editor.
by Emily Maesar, Associate Editor, TVJawn
As the series finished out 1990 and started in on 1991, there shouldn’t have been any doubt that The Next Generation was going to be immortal.
by Emily Maesar, Staff Writer
Other than the Hitchcock of it all, though, Do Revenge pays great homage to the teen films of Millennials.
by Emily Maesar, Associate Editor, TVJawn
Resistance is futile.
by Megan Bailey, Staff Writer & Emily Maesar, Staff Writer
It’s Chris Pine’s birthday. His 42nd birthday. His Hitchhiker’s Guide to the Galaxy “answer to the universe” birthday.
by Emily Maesar, Associate Editor, TVJawn
Growing up, Wet Hot was one of those older sibling films—the kind that basically live in your head rent free, that get quoted all the time, and that you might not really understand until you’re older and watch it with different eyes.
by Emily Maesar, Staff Writer
“A halo doesn’t have to fall very far to become a noose.”
by Emily Maesar, Associate Editor, TVJawn
Thirteen days after the United States 1988 election, the second season of Star Trek: The Next Generation aired
by Emily Maesar, Staff Writer
Not Okay is having a conversation about the trauma of being online, of being perceived so much that it starts to wear you down until you feel like lying is the only way to be something.
by Emily Maesar, Associate Editor, TVJawn
And just like that, we’re watching Star Trek again.
by Emily Maesar, Associate Editor, TVJawn
What starts as a fairly standard, albeit odd, episodic show about two pre-teen twins dealing with weird stuff and learning lessons over a summer without their parents, turns into a desperate attempt to save the world from forces bigger than themselves.
by Megan Bailey, Staff Writer & Emily Maesar, Associate Editor, TVJawn
You don’t have Daddy Issues; instead your father simply has Bad Dad Syndrome because he’s the one who caused all the problems in the first place.
by Emily Maesar, Staff Writer
Tahara is the quiet, personal drama version of the very real type of relationship that many sapphics have with their friends.
by Emily Maesar, Staff Writer
After Blue feels like the dystopian future of Mad Max, with its deeply erratic energy, but looks like Velvet Goldmine, with its queer, glittery haze.
by Emily Maesar, Associate Editor, TVJawn
Star Trek, as a franchise, exists in its current form because of syndication.
by Emily Maesar, Associate Editor, TVJawn
There’s not a lot more to be said about the first season of Halo other than that it was, unsurprisingly, a huge disappointment