THE RAZOR'S EDGE (1946) urges for escape from the rat race
by Rosalie Kicks, Editor in Chief and Old Sport
This piece of cinema truly speaks for itself and what it has to say is incredible.
STRAWBERRY MANSION blu-ray extras make the flick even more magical
by Rosalie Kicks, Editor in Chief and Old Sport
I adore details like this and these little extras make owning a physical film release feel so much more special.
BRIAN AND CHARLES is a whimisical story about a man and his robot
by Rosalie Kicks, Editor in Chief and Old Sport
Director Jim Archer’s feature film debut based on the short of the same name, is a whimsical story about loneliness and friendship.
THIS WAS HOLLYWOOD offers obscure tales of Tinseltown
by Rosalie Kicks, Old Sport & Editor in Chief
Within the beautiful pages one is given a plethora of knowledge about forgotten stars and obscure Hollywood tales.
Stone's historical fiction, IT'S ALIVE! sparks interest in studio head that brought us FRANKENSTEIN
by Rosalie Kicks, Old Sport & Editor in Chief
It’s Alive!, penned by Julian David Stone tells an imaginary tale of the few days prior to filming one of the most iconic horror pictures ever made; James Whale’s Frankenstein.
TCM Host Alicia Malone on her new book and a changing relationship with classic movies
by Rosalie Kicks, Old Sport & Editor in Chief
Girls On Film, is sprinkled with personal anecdotes, film history, and a focus on women in front of the camera that inevitably had an impact on Malone’s life.
DUAL will leave you contemplating doubles
by Rosalie Kicks, Old Sport and Editor in Chief
This is the type of story that I love to watch unfold.
THE BATMAN delivers a noir epic worthy of the Caped Crusader's pulpy origins
by Ryan Silberstein, The Red Herring and Rosalie Kicks, Old Sport
Riddles are better than jokes.
Hot Docs at Sundance 2022
by Rosalie Kicks, Editor in Chief & Old Sport
Documentaries are such an interesting genre of filmmaking.
Thrills 'n Chills at Sundance 2022
by Rosalie Kicks, Old Sport and Editor in Chief
If you’re the type that enjoys sitting on the edge of your seat and doesn’t easily scare from a bump in the night, here are six Sundance flicks that I recommend seeking out.
Sundance 2022 Preview: Kicks's Flick Picks
by Rosalie Kicks, The Old Sport
On January 28, I will embark on my third year of covering the Sundance film festival and, like many things as of late, it could not look more differently.
Read MoreNIGHTMARE ALLEY offers a one-way ticket to self-destruction
by Rosalie Kicks, Old Sport & Editor in Chief
When a movie opens with a good old fashioned body disposal, fire, and a celebration afterwards at a traveling carnival, I know I am watching the right film.
SPIDER-MAN: NO WAY HOME finally embraces great responsibility
by Ryan Silberstein, Red Herring and Rosalie Kicks, The Old Sport
Three is a magic number.
LICORICE PIZZA turns introspective but finds nothing within
by Rosalie Kicks, Old Sport & Editor in Chief
To date, Licorice Pizza is Paul Thomas Anderson’s most frivolous and gentle film.
GHOSTBUSTERS: AFTERLIFE only works when it tries to pass the baton
by Rosalie Kicks, Old Sport & Editor in Chief
We we want to just hang with Phoebe and Podcast.
Grave Time with Batzina Belfry: Gorgon
by Batzina Belfry (aka Rosalie Kicks, Old Sport)
Paying respect to horror hosts from days gone by… Gorgon
Read MoreGrave Time with Batzina Belfry: Morgus The Magnificent
by Batzina Belfry (aka Rosalie Kicks, Old Sport)
Paying respect to horror hosts from days gone by… Morgus The Magnificent
Read MoreGrave Time with Batzina Belfry: John Zacherely
by Batzina Belfry (aka Rosalie Kicks, Old Sport)
Paying respect to horror hosts from days gone by… John Zacherely
Read MoreNia DaCosta's CANDYMAN offers more than just chills and thrills
by Rosalie Kicks, Editor in Chief & Staff Writer
Nia DaCosta’s imaginative rendition of the mythical horror tale, Candyman provides a social commentary that, depending on how one views it, may find just as horrifying as the hook-handed man himself.
THE LAST MATINEE is a stylistic horror film without substance
by Rosalie Kicks, Editor in Chief & Staff Writer
Utilizing an old movie house for the eighty-eight minute thriller works extremely well for setting the mood and creates a perfect atmosphere for a murderer on the loose.