by Emily Maesar, Associated Editor, TVJawn
There were always ways that broadcast shows could be pitched, bought, and aired without having an episode produced in the traditional way. Three such ways are spin-offs, backdoor pilots, and first-run syndication.
by Marie-Claire Gould, Contributor
Willow is refreshed and revitalized for a new generation, including an openly lesbian knight/princess romance, modernized jokes and costumes, and poppy catchy soundtrack songs.
by Megan Bailey, Staff Writer
Season one of LOST was an undeniable hit. So, let’s talk about season two.
by Jacob Harrington, Contributor
The ending of The Last of Us pulls you in two different directions.
by Jacob Harrington, Contributor
For the past two months, Harrison Ford has been doing some career best work on two separate streaming TV shows.
by Sam Morris, Staff Writer
Well, Mayfair Witches did not get any better during the second half of the first season.
by Megan Bailey, Staff Writer
Daisy Jones & the Six is fashioned as a tell-all, sort of Behind the Music type of deal, recorded twenty years after the famed band released their only album before breaking up.
by Megan Bailey, Staff Writer
In honor of Valentine’s Day, I wanted to take a look at the various couples, love triangles, quadrangles, and pentagons present in the show.
by Jacob Harrington, Contributor
The Last of Us deals in tropes and archetypes, but the reason the two video games were a big deal isn’t because of zombies, but that the story was remarkably compelling. The story and world of The Last of Us is a dark forest.
by Billy Russell, Staff Writer
That 90s Show is a reboot/nostalgia-fest of a show, lovingly crafted in the shadow of its predecessor, That 70s Show, which itself was nostalgic for a specific time and place.
by Sam Morris, Staff Writer
In fact, the reason that we’re getting more Mayfair Witches is apparently because of YOU!
by Sam Morris, Staff Writer
Look, there’s not a lot worth talking about in this episode—it’s really bad.
by Emily Maesar, Associated Editor, TVJawn
I’m excited to talk about the esoteric machinations of my industry with everybody because TV is just so dang weird!
by Sam Morris, Staff Writer
At this point, I have to confess: I don’t think Anne Rice cares about writing women characters, to the point that Rowan feels most defined by her relationships to Michael, Cortland, and Lasher.
by Megan Bailey, Staff Writer
It’s funny how memory works. I’ve rewatched LOST season one several times, but I realized I had very little memory of the plot beyond that.
by Sam Morris, Staff Writer
So much for the Anne Rice-Verse… is what I was prepared to write based on early reviews of the premiere episode of Mayfair Witches.
by Ryan Silberstein, Managing Editor, Red Herring
The Bad Batch is as vital to the tapestry of the Galaxy Far Far Away as any other movies or shows from the past decade.
by Emily Maesar, Associate Editor, TVJawn
Let’s talk about the end of The Next Generation because I’ve got some thoughts!
Welcome to Split Decision for TVJawn! For the end of the year, Associate Editor Emily Maesar posed the question, “What was the best TV show that aired in 2022?” to the wonderful staff at MovieJawn. Here are their answers!
Read Moreby Ryan Silberstein, Managing Editor
Or…how to introduce children to Burl Ives and Fred Astaire.