THE SEVEN FACES OF JANE leaves much to be desired
by Mathilda Hallstrom, Staff Writer
When Coppola isn’t hawking a Ford product, the film does make an honest attempt to tell stories about Jane.
THE APOLOGY is a chamber piece exploring revenge
by Mathilda Hallstrom, Staff Writer
Twenty years after the disappearance of her daughter, Sally, and twenty years into sobriety, Darlene finds herself struggling to reckon with the shame, blame, and guilt that live in her house.
TÁR and the Power of Interpretation
by Mathilda Hallstrom, Staff Writer
The best part about Tár, Todd Field’s psychological drama depicting the denouement of Lydia herself, is that it begs to be interpreted.
I'M TOTALLY FINE lacks emotionality and stakes
by Mathilda Hallstrom, Staff Writer
The story, despite its absurdist aspirations, is exceedingly unremarkable.
THE FIRE THAT TOOK HER shares an unflinching portrait of domestic abuse
by Mathilda Hallstrom, Staff Writer
From the beginning, The Fire That Took Her presents a devastating display of the punishing ripple effects of domestic abuse.