by Kate Beach, Staff Writer
Looking back on two films that contributed heavily to one of my favorite subgenres: wild nights in New York City. Buckle up, let’s talk about Martin Scorsese’s Bringing Out the Dead and Stanley Kubrick’s Eyes Wide Shut.
by Ian Hrabe, Staff Writer
I don’t often feel FOMO, but the one time I really feel it is at the end of the year when everyone’s year end lists for movies are dropping and I’m stuck on the sidelines.
by A. Freedman, Contributor
A. Freedman picks his favorite movies of 2022
by Victoria Potenza, Staff Writer
While it took some time to fine tune this list, I tried to lean into my feelings and intuition to pick the movies that really affected me. The ones that made me laugh and cry. The ones that brought a smile to my face and the ones that tormented my mind days and weeks after watching.
by Alex Rudolph, Contributor
You always write these things having seen less than you’d like to have, but 2022 was an especially theater-free year for me.
by Rosalie Kicks, Old Sport & Editor in Chief
Welp, another year shot, old sport. Which means it is time for the best flicks lists to make an appearance.
by Mathilda Hallstrom, Staff Writer
The best part about Tár, Todd Field’s psychological drama depicting the denouement of Lydia herself, is that it begs to be interpreted.
by Ryan Silberstein, Managing Editor, Red Herring
Portrait of a lady under fire.