Romance Week: The Widening Lens of Queer Romance
by Megan Bailey, Staff Writer
Now that it’s almost Valentine’s Day, it’s time to talk about romance! And I want to talk about LGBTQ+ romance on screen.
by Megan Bailey, Staff Writer
Now that it’s almost Valentine’s Day, it’s time to talk about romance! And I want to talk about LGBTQ+ romance on screen.
by Megan Bailey, Staff Writer
Welcome to MovieJawn’s first ever Sound & Vision Poll, where our writers share why they love their 10 favorite movies of all time!
by Katharine Mussellam, Contributor
Welcome to MovieJawn’s first ever Sound & Vision Poll, where our writers share why they love their 10 favorite movies of all time!
by Tina Kakdelis, Staff Writer
Welcome to MovieJawn’s first ever Sound & Vision Poll, where our writers share why they love their 10 favorite movies of all time!
by Ashley Jane Davis and Jaime Davis
Nearly every element within his Underground Railroad feels deliberate and attuned.
by Ashley Jane Davis, Staff Writer
Barry Jenkins is one of my favourite directors, easily. I think his films are beautiful, deep, and unforgettable.
Written and Directed by Barry Jenkins (based on the novel by James Baldwin)
Starring KiKi Layne, Stephan James, Regina King, Brian Tyree Henry
Running time 1 hour and 59 minutes
MPAA rating : R for language and some sexual content
by Emmi Kurowski
There is a certain kind of film that I get very possessive over. It is MINE (it’s not). I’ll be honest, I enjoy love stories that hurt my lil heart. Not rom coms. No, no, that’s too sweet. I prefer movies that are more ambiguous, where you’re not assured that they will live “happily ever after”. I seek them out. I list ‘em endlessly. I own a museum of them, where I am the curator and could rate them in terms of how many broken hearts out of 10. Throw me in front of a Wong Kar-wai film and I’ll cry and write down quotes and commit *looks* to my memory. It’s just my thing, okay? If Beale Street Could Talk director, Barry Jenkins, (who I L-O-V-E, and who also loves MY Wong Kar-wai) is becoming a master at this style of film. Can I say “master” after seeing two of his films? Well, I’m gonna. Deal with it.
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