Artist biopic CHARLOTTE is a step in the right direction
by Clayton Hayes, Staff Writer
For all its missteps, Charlotte is still an interesting film. Charlotte’s story is an intriguing but challenging one to tackle in the span of a 90-minute film
MARVELOUS AND THE BLACK HOLE finds both sweetness and sadness in grief
by Ashley Jane Davis, Staff Writer
Being a thirteen-year-old girl is hard on its own. But without your loving mom? A black hole is a pretty accurate description.
Repressed memories are the name of the game in this week’s HALO
by Emily Maesar, Associate Editor, TVJawn
All-in-all, we’re moving ever forward in the story and toward the “Sacred Rings” that the series is named after.
THE NORTHMAN is a brutal, yet beautiful Viking epic from Robert Eggers
by A. Freedman, Staff Writer
Have you noticed that Vikings have had a real comeback this decade?
VINYL NATION offers little insight to the coolness of spinning wax
by Iran Hrabe, Staff Writer
There are so many interesting angles one could take when making a documentary about vinyl, and Vinyl Nation examines none of them.
Cronenberg on Sex and Gender: A DANGEROUS METHOD
by Victoria Potenza, Staff Writer
Stripped of the blood and guts of his early films, A Dangerous Method is still steeped in the ideas and themes that Cronenberg has worked through.
SEVERANCE is the ultimate modern workplace drama
by Victoria Potenza, Staff Writer
I am here to spread the gospel and find more loyal followers for the church of Severance.
PACHINKO is just as beautiful as the book on which it’s based
by Jaime Davis, Staff Writer
“History has failed us, but no matter.”
MISSISSIPPI MASALA embraces specificity and finds truth
by Ryan Smillie, Staff Writer
It’s not simply about what happens when an Indian woman and a Black man fall in love, but what happens when this Indian woman and this Black man fall in love.
PARIS, 13TH DISTRICT (LES OLYMPIADES) captures a present day city in transition
by Jaime Davis, Staff Writer
Paris, 13th District quietly untangles the complications that stem from the forever-at-odds hookup culture and cuffing season using the 13th arrondissement as background character.
MOTHERING SUNDAY leans into its period nature to show the fallout from WWI
by Fiona Underhill, Contributor
A film that is very much about the past and about memory.
HALO finally introduces Cortana, Chief’s constant companion
by Emily Maesar, Staff Writer
So, let’s talk about Cortana. She’s
THE TALE OF KING CRAB takes slow cinema to excruciating ends
by Ian Hrabe, Staff Writer
It’s the type of movie characters in a broad comedy go to see when they go to see “art cinema” as a gag.
DUAL will leave you contemplating doubles
by Rosalie Kicks, Old Sport and Editor in Chief
This is the type of story that I love to watch unfold.
YOU WON'T BE ALONE is an empathetic story of the monstrous feminine
by Victoria Potenza, Staff Writer
This film completely surprised me, and loved it for reasons I did not expect.
THE DROPOUT closes with a perfectly performed series of flame-outs
by Alex Rudolph, Staff Writer
Elizabeth Holmes is a terrible person. "Lizzy," the final episode of The Dropout, makes an argument that she was also a scapegoat.
FRAILTY at 20: Remains a disturbing delight
by Billy Russell, Staff Writer
I can’t believe it’s already been twenty years since Frailty came out, and I can’t believe that in those twenty years, it never found a much larger audience.
NEW YEAR'S EVIL is an early slasher with a unique feel
by Clayton Hayes, Staff Writer
Three magic words: “producers Golan-Globus.”
Women Who Kill #11: Sissy, THE MAFU CAGE
by Victoria Potenza, Staff Writer
The darkwave soundtrack goes together perfectly with the dark journey we watch unfold.
THE ROUND-UP offers a balance of emotion and cold brutalism
by Ian Hrabe, Staff Writer
The Round-Up is a captivating piece of 1960s European art cinema.