Captain’s Log, Entry 6: The USS Enterprise flies again
by Emily Maesar, Associate Editor, TVJawn
And just like that, we’re watching Star Trek again.
OUT OF SIGHT is the Soderbergh heist movie that deserves more attention
by Matthew McCafferty, Staff Writer
Confident, cool and stylized to the perfect degree, Out of Sight might actually be Steven Soderbergh’s best heist movie.
SUMMER OF STARS #24: Robert Mitchum
by Alex Rudolph, Staff Writer
When I watch a Robert Mitchum performance, I'm watching a human being.
SUMMER OF STARS #25: Buster Keaton
by Rosalie Kicks, Editor in Chief and Old Sport
Buster is considered today to be one the of most prolific actor/directors that ever graced the silver screen.
Printing the Legend: “What kind of town is America, anyway?” Part 2
by Ryan Silberstein, Managing Editor, Red Herring
Democracy, violence, and the history we are living through now.
Peter Strickland's FLUX GOURMET serves up an unsettling audio/visual buffet
by Rosalie Kicks, Editor in Chief and Old Sport
Much like anchovies or blue cheese Strickland’s films appeal to a particular type of palette.
Baz Lurhmann's ELVIS embraces the excesses of its subject
by Hunter Bush, Staff Writer
MovieJawn’s resident expert on The King weighs in on the new film.
Reality is just a illusion and the universe is a hologram: GRAVITY FALLS turns 10
by Emily Maesar, Associate Editor, TVJawn
What starts as a fairly standard, albeit odd, episodic show about two pre-teen twins dealing with weird stuff and learning lessons over a summer without their parents, turns into a desperate attempt to save the world from forces bigger than themselves.
How To Start Watching: Elvis Movies
by “Doc” Hunter Bush, Podcast Czar
: What do YOU mean by “Elvis Movies”? Because there’s Elvis the man, and then there’s Elvis the icon, and those are two very different milieus of cinema.
THE RAZOR'S EDGE (1946) urges for escape from the rat race
by Rosalie Kicks, Editor in Chief and Old Sport
This piece of cinema truly speaks for itself and what it has to say is incredible.
Celebrating paranoia in THE THING and MINORITY REPORT on their anniversaries
by Billy Russell, Staff Writer
Both movies are a cold, clinical look at how fear motivates us, and how it dictates our actions.
STRAWBERRY MANSION blu-ray extras make the flick even more magical
by Rosalie Kicks, Editor in Chief and Old Sport
I adore details like this and these little extras make owning a physical film release feel so much more special.
THE UFO INCIDENT shares an account of a 1961 alien abduction
by Clayton Hayes, Staff Writer
The UFO Incident is quite the oddity…
LIGHTYEAR embraces sci-fi as another worthy entry in the Pixar canon
by Matt McCafferty, Staff Writer
Regardless of why it was made, what we get is another worthy entry in the Pixar canon.
BRIAN AND CHARLES is a whimisical story about a man and his robot
by Rosalie Kicks, Editor in Chief and Old Sport
Director Jim Archer’s feature film debut based on the short of the same name, is a whimsical story about loneliness and friendship.
THE GOOD NEIGHBOR is a flimsy throwback
by Gary M. Kramer, Staff Writer
The Good Neighbor follows all the expected paths this contrived setup suggests.
GUIDANCE gets points for ambition, even when it doesn't quite land all of of its choices
by Clayton Hayes, Staff Writer
It really felt like the film was written with a strong understanding of where and how those effects could have the most impact.
END OF THE LINE shows how many challenges face New York's MTA
by Megan Bailey, Staff Writer
This new documentary highlights decaying infrastructure pressed harder by COVID.
Happy Father’s Day to the worst ones on TV! A rundown of Bad Dad Syndrome
by Megan Bailey, Staff Writer & Emily Maesar, Associate Editor, TVJawn
You don’t have Daddy Issues; instead your father simply has Bad Dad Syndrome because he’s the one who caused all the problems in the first place.
MAD GOD is an inspiring work of darkness and pain
by Ryan Silberstein, Managing Editor, Red Herring
A tone poem with the attitude of Heavy Metal magazine.