IN THE LAND OF SAINTS AND SINNERS shows sympathy as an uphill battle
by Jo Rempel, Staff Writer
Saints is less interested in political struggle—the lives and deaths of many—than it is in the moral struggle of one man.
by Jo Rempel, Staff Writer
Saints is less interested in political struggle—the lives and deaths of many—than it is in the moral struggle of one man.
by Joe Carlough, Staff Writer
An artful mix of personal biopic, social commentary, and urban history, Carol Doda Topless at the Condor has a lot to say–and if you’re a sucker for vintage photos and footage of major American cities like I am, you’re going to love watching this doc.
by Megan Bailey, Staff Writer
Nashville shows (and perpetuates) the hardship of the music industry on artists.
by Emily Maesar, Associate TV Editor
While it’s been said many times on the show, FANTASY HIGH: JUNIOR YEAR shows the ultimate power in a name.
by Tori Potenza, Staff Writer
Four films from this year’s SXSW.
by Megan Robinson, Staff Writer
In director Kamila Andini’s Yuni, the film that shares its name with its main character, individuality is revered by the youth and destroyed by the adults around them, as girls are often directed to a singular path for themselves: marriage.
by Liz Wiest, Staff Writer
While the movie is stylish in the same way that an Urban Outfitters Polaroid is, it simultaneously feels comforting and natural, like watching a VHS from your childhood.
by Emily Maesar, Associate TV Editor
As the Bad Kids progress in their school year, things are looking even more mysterious and dangerous than ever.
by Billy Russell, Staff Writer
Masters of the Air is also an ambitious miniseries that is epic in scope, intimate in scale, and swings for the fences.
by Gary M. Kramer, Staff Writer
For 25 years, Todd Verow has been writing, directing, producing and starring in films that feature extensive, extended and even explicit nudity.
by Tori Potenza, Staff Writer
Robert Morgan is a true artist who not only creates something visually stunning but also layers it with themes that resonate and bring the world to life.
by Megan Robinson, Staff Writer
French Girl doesn’t do anything wrong because it can’t really claim to be doing much at all–neither funny nor romantic, neither progressive nor offensive, it just entertains in bits and pieces.
by Alex Rudolph, Staff Writer
Indistinguishable from the propaganda it thinks it's tittering at, like a clown making fun of the person he sees in a mirror.
by Daniel Pecoraro, Staff Writer
Allison O’Daniel’s piece is an atmospheric piece on sound, music, and d/Deaf culture within and beyond these spheres.
by Emily Maesar, Associate TV Editor
The Vulture Dimension, the end of the battle with Grix, and the continuation of the murder mystery!
by Gary M. Kramer, Staff Writer
5lbs of Pressure features several characters who are remorseful. Viewers who see this film all the way through will likely feel deep regret.
by Fiona Underhill, Staff Writer
There’s much to commend here, and is a welcome return for a British studio with such a rich horror history. Long live Hammer!
by Daniel Pecoraro, Staff Writer
Four more films from the Athena Film Festival.
by Tina Kakadelis, Staff Writer
What if we existed in an alternate universe where our hearts were ordinary objects in our chests?
by Gary M. Kramer, Staff Writer
Netflix’s Supersex tells a coming-of-age story in the porn industry.