TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM brings the turtle power back to movie theaters
by Billy Russell, Staff Writer
The Turtles and I go way back.
by Billy Russell, Staff Writer
The Turtles and I go way back.
by Billy Russell, Staff Writer
For a blissful 92 minutes, whenever I’m watching Wet Hot American Summer, all that matters is Camp Firewood and its cast of characters, who, after twenty years of annual rewatches, feel like old friends to me.
by Billy Russell, Staff Writer
Heartbreak Ridge is a movie only Clint Eastwood could have made, and he only could have made it during a time in his career when he was taking his biggest risks as a filmmaker, storyteller and an actor.
by Billy Russell, Staff Writer
Blood Rise has no interest in pandering fan service. It instead wants to service its fans by creating an entry worthy of the series.
by Billy Russell, Staff Writer
I thought Malick and Spielberg were on opposite ends of the filmmaking spectrum, but in truth, and especially with films like this, it’s more like a Venn diagram that overlaps in the middle.
by Billy Russell, Staff Writer
Looking back at the history of the beloved horror franchise.
by Billy Russell, Staff Writer
I like to see something that looks and feels organically-created by an artist, rather than a committee at a market research lab. Enys Men is nothing if not ambitious on that front.
by Billy Russell, Staff Writer
The Belle Starr Story is, amazingly, the only spaghetti western ever directed by a woman. As such, it has a unique look at its characters, in a way films rarely did, or even do today, with an eye for commentary on sexuality and gender.
by Billy Russell, Staff Writer
The Mushroom Kingdom is a dystopian, urban nightmare, akin to Blade Runner. Super Mario Bros. may have been better received if it wasn’t the first time out as a movie.
by Billy Russell, Staff Writer
It’s a shame that Wild Things so successfully disguised and marketed itself as a sleazy, exploitative thriller, because hardly anyone knows the truth, that Wild Things is a subversive, witty satire.
by Billy Russell, Staff Writer
1999 and 2019, as two decades, and one millennium, closed. I spent them at the movies with the people that I love
by Billy Russell, Staff Writer
To this day, even though it has a pretty decent cult following, Dark City is a criminally-underseen movie.
by Billy Russell, Staff Writer
That 90s Show is a reboot/nostalgia-fest of a show, lovingly crafted in the shadow of its predecessor, That 70s Show, which itself was nostalgic for a specific time and place.
by Billy Russell, Staff Writer
Junky action movies are like pizza: They’re all good, some are just better than others.
by Billy Russell
This week, we thought we’d celebrate 30 years since the 1993 Sundance Film Festival, considered one of the defining moments in modern indie filmmaking.
by Billy Russell, Staff Writer
In honor of his buzzy new role in The Whale, we look back at one of Fraser’s most charming 90s roles.
by Billy Russell, Staff Writer
It’s a brutal, honest film, like its predecessor, and the source material it’s based on. All Quiet on the Western Front is a must-see film, but it isn’t an easy one to sit through.
by Billy Russell, Staff Writer
Burning Love was a dead-on parody of reality dating shows in the vein of The Bachelor, The Bachelorette and Rock of Love, for good measure.
by Billy Russell, Staff Writer
“What the hell is Duel?” I asked.
by Billy Russell, Staff Writer
Starship Troopers knows the mechanisms of fascistic totalitarianism, and knows the power of propaganda.