Joe Pera Talks With You - Episodes 3.5 & 3.6 “Joe Pera Discusses School-Appropriate Entertainment With You” and "Joe Pera Takes You For A Flight"
by Alex Rudolph, Staff Writer
Skateboarding, Television, Esports and Magic.
by Alex Rudolph, Staff Writer
Skateboarding, Television, Esports and Magic.
by Matthew Crump, Staff Writer
Why isn't there a Thanksgiving movie genre?
by Rosalie Kicks, Old Sport & Editor in Chief
To date, Licorice Pizza is Paul Thomas Anderson’s most frivolous and gentle film.
by Matt McCafferty, Staff Writer
Refugees, art, and basketball from this year’s DOC NYC festival.
by Audrey Callerstrom, Associate Editor and Staff Writer
The Feast is an effective slow burn, the kind of true horror that comes not with violence, but with the growing feeling of dread.
by Ryan Silberstein, Managing Editor, Red Herring
While positioned as a prestige drama, House of Gucci feels like a throwback to a time where movies could be entertainment meant for adults.
by Whitley Albury, Staff Writer
It honestly feels like the “villain” here isn’t the demon; it’s the rampant misogyny in 2021.
by Billy Russell, Staff Writer
The crew of The Next Generation, did get one title worthy of them, and that was First Contact.
by Rosalie Kicks, Old Sport & Editor in Chief
We we want to just hang with Phoebe and Podcast.
by Ryan Silberstein, Managing Editor, Red Herring
While Encanto is slighter than many of the studio’s recent offerings, it is nonetheless a heartwarming story with dazzling animation.
by Emily Maesar, Associate Editor, TVJawn
It’s a film that is at once about Kurt Vonnegut Jr.’s life and work, but is also about Robert B. Weide’s life and work.
by Miguel Alejandro Marquez, Staff Writer
John Paul the Great is a private catholic college that prides itself as an institution that is “impacting culture for Christ. They most certainly did not impact culture for Christ with this movie.
by Ryan Silberstein, Managing Editor, Red Herring
Each of the four main characters contain multiple layers, which add complexity to their relationships with other characters and the environment.
by Billy Russell, Staff Writer
It absolutely baffles the senses that I believe that, against everything, it’s a great movie.
by Alex Rudolph, Staff Writer
We need to talk about the youth of America.
by Gary M. Kramer, Staff Writer
Is it something or nothing? Do things matter? This is the question at the heart of Objects, Vincent Liota’s not uninteresting documentary, screening at DOC NYC.
by Matt McCafferty, Staff Writer
MovieJawn reviews 3 documentaries from DOC NYC so far!
by Ashley Jane Davis, Staff Writer
Even for fans like me who have read it all and seen it all, there are wonderful gems you haven’t seen before.
by Whitley Albury, Staff Writer
You’ve got loveable characters, with a clear goal, and obstacles that aren’t necessarily end-of-the-road but understandably disheartening. And the soundtrack.
by Audrey Callerstrom, Associate Editor and Staff Writer
From its first moments, you can tell that Double Walker is surrealist and focused on ambiance and mood rather than story.