by Liz Wiest, Contributor
Last month, as a part of their “Unspeakable: The Films of Tod Browning series,” Film at Lincoln Center unearthed 35mm footage of Dracula (1931) and Mark of the Vampire (1935) from the Library of Congress for a classic and campy double feature experience.
by Liz Wiest, Contributor
These two stories, brought into the world at dramatically different points in the acclaimed director’s life, represent a fascinating depiction of not only a stark shift in Browning’s creative perspective, but also his descent from praise into controversy.
by Batzina Belfry (aka Rosalie Kicks, Old Sport)
I bid you welcome creepies, ghoulies, goblins and spookies to The Cinematic Crypt for a twenty-four hour watch-a-long.
by Tessa Swehla, Staff Writer
The cinematic potential of the gothic prince has captured the imagination of filmmakers and audiences over the past century.
by Matthew Crump, Staff Writer
I feel I owe Joan Crawford an apology.