Brooklyn Horror Film Festival 2022 Preview
by Victoria Potenza, Staff Writer
The festival has a huge selection of new horror features as well as different curated shorts blocks and several different repertory screenings.
by Victoria Potenza, Staff Writer
The festival has a huge selection of new horror features as well as different curated shorts blocks and several different repertory screenings.
by Emily Maesar, Associate Editor, TVJawn
It’s also important that Interview with a Vampire is unapologetically queer, not afraid to say the specific labels, and that it’s already been renewed for a second season.
by Megan Bailey, Staff Writer
This week’s episode is a doozy, and I mean emotionally.
by Nikk Nelson, Staff Writer, Cinematic Maniac
At this point, vampires have been part of cinema for a century, which is wild to think about, so I wanted to curate a playlist that captured the good, the bad, the ugly, and the downright fun of vampires on screen.
by Melissa Strong, Contributor
Though rendering women’s bodies grotesque, body horror can challenge gender norms and beauty standards that include the relationship between a woman’s physical attractiveness and her worth and the contradictory expectations of purity and sexual receptiveness.
by Kirk Stevens, Contributor, Disc Devotee
n the past two years, the stunning new 4K restoration has been screening all over the world and has finally received the lovingly curated home video release it deserves from Severin Films.
by Gary M. Kramer
Mountaineering films, including the documentaries, guarantee spectacular scenery and breathtaking moments—especially as the characters reach higher and higher altitudes.
by Ryan Silberstein, Managing Editor, Red Herring
While there are no major plot moves in this episode, I love how Andor is fleshing out its world and especially the characters within.
by Billie Anderson, Staff Writer
Horror is the only genre in which disabled people are regularly represented at all, and as a result, cannot be ignored as a possible avenue for reimagining disability despite its often stereotypical and harmful representations.
by Charlie Brigden, Staff Writer
Released initially in 1994 and now given a 4K restoration and a new lease of life, Ayoka Chenzira's picture is a remarkably fresh and sincere look at a matriarchal Black family in the nineties.
by Victoria Potenza, Staff Writer
I should state that there is not necessarily a great way to wade into the waters of body horror, you really do need to just cannonball in and sink or swim.
by Emily Maesar, Associate Editor, TVJawn
An interview with the Associate Editor.
by Ian Hrabe, Staff Writer
Perhaps more shocking than Hollywood’s inability to find joy in the Middle Ages is Lena Dunham making a legitimately excellent film
by Clayton Hayes, Staff Writer
Though not a great film, Dark Glasses is a significant step in the right direction and is easily the director’s best work since Sleepless.
by Victoria Potenza, Staff Writer
Piggy is one of these revenge films that lives in the gray and makes us question the ethics around cycles of violence as well as what it means to be a bystander.
by Ryan Silberstein, Managing Editor, Red Herring
Having a ferocious takedown of the rich would be a satisfying substitute for substance here, but for a 2.5 hour movie, there just isn’t enough of either to justify the runtime.
by Megan Bailey, Staff Writer
If anyone thought Rings of Power was a boring show, this episode will prove them wrong.
by Ryan Silberstein, Managing Editor, Red Herring
Portrait of a lady under fire.
by Gary M. Kramer, Staff Writer
Don’t Look at the Demon may have a low budget feel to it, but the special effects are well rendered, and the film is effective as it builds to its noisy, busy conclusion.
by Travis Gonzalez, Contributor
Americans abroad have long been a popular subject for filmmakers